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Jelly Roll, Bix, and Hoagy

Gennett Records and the Rise of America's Musical Grassroots

ebook
1 of 1 copy available
1 of 1 copy available
“A lively and anecdotal history” of the tiny family-run studio where jazz greats from Jelly Roll Morton to Louis Armstrong made their first recordings (Jazz Times).
 
From 1917 to 1932, in a primitive studio next to the railroad tracks, the Gennett family of Richmond, Indiana, recorded some of the earliest performances of jazz, blues, and country greats—including Jelly Roll Morton, Big Bill Broonzy, King Oliver, Louis Armstrong, Gene Autry, Bix Beiderbecke, and native Hoosier Hoagy Carmichael (whose “Stardust” debuted on Gennett as a dance stomp).
 
Jelly Roll, Bix, and Hoagy is the first thoroughly researched account of the people and events behind this unique company and its outsized impact on American music. Alive with personal details and anecdotes from musicians, employees, and family members, it traces the colorful history of a pioneer recording company.
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    • Publisher's Weekly

      July 31, 2000
      In this well-researched, behind-the-scenes account, Kennedy, a media relations manager at General Electric, tells the story of Gennett Studios, a small company in the 1920s that produced the first recordings of many of our nation's great jazz, country and blues performers. The Gennett family of Richmond, Ind., owners of the Starr Piano Company, opened a recording studio in 1915 to make records to sell in their showrooms across the country. Taking advantage of a court decision that placed recording processes in the public domain, the Gennetts entered the business as jazz captured the population's fancy. They would record anyone who approached them and thus captured, often quite primitively, the original sounds of such artists as Jelly Roll Morton, Joe ``King'' Oliver, Louis Armstrong, Earl ``Fatha'' Hines, Bix Beiderbecke, Hoagy Carmichael, Bradley Kincaid and Charlie Patton. Unable to ride out the Depression and family bickering, the Gennetts stopped producing records in 1934. Kennedy's account adds a significant footnote to the history of recorded music. Photos not seen by PW.

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  • English

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